Sound
This area was our groups weakness when producing the draft opening sequence, so we paid extra attention to it this time in order to make our final thriller a success.
The sounds that we planned would work well with our footage were:
- Heavy breathing
- A phone ringing
- Dialogue
- Leaves rustling
To create these sounds, myself and Laura-Jo got a flip video camera as the sound quality was better than the other camera we were using to film, and came up with ways to produce these sounds so that they were clear enough to understand on the footage.
For the heavy breathing, I came up with the idea of breathing into an empty plastic bottle as the noise echos making it sound more creepy and the volume is louder and clearer. Laura-Jo did this as I filmed her and this created the heavy breathing sound effect. When I imported the sound into the editing program, I selected this video and dragged it onto all of the clips which were showing the hand held point of view of the man walking as it made him seem more mysterious. The sound we recorded was short so I had to copy the sound clip in and crop it to avoid any excess noise several times.
The phone call was the easiest sound to create as I simply played my phone's ringtone and recorded it on the camera. In the scene where the boy picks up the phone, I had to make sure that the ringtone played long enough so that it stopped at the exact moment he put it to his ear. This made it seem believable as his own phone ringing yet it was clear what was happening in the plot.
Straight after the phone rings, the boy has a conversation, therefore the dialogue needed to be clear enough for the audience to understand the next part of the sequence. Laura-Jo recorded him saying the dialogue at the same speed as he did in the original footage so that his mouth matched the speech. I then imported the clip into the program and took some time trying to match his mouth to the dialogue so it seemed as though we hadn't added any extra recordings. This was the hardest sound to put onto the footage as it had to match perfectly to work.
Finally, me and Laura-Jo recorded the sound of leaves rustling and we did this by me running next to a bush so the leaves rustled against my coat as I did it and this produced a convincing sound. I then edited this into the final shots where the boy is pulled over the bush and adjusted the volume to quite low as he is distant to the camera in the shot and if it was too loud it wouldn't sound correct.
I also found music online which was under the category 'Dramatic and Eerie music' as this was the type of atmosphere we wanted our thriller to create. After listening to lots, I found two pieces which I thought would work best and imported them both into the program. I then decided to use the dramatic music on the titles and the eerie music would continue throughout everything, overlapping the other track and sounds in the footage to make an unusual effect. Once all the sounds were in the correct position on the timeline, along with the music, the sound was a huge improvement from the draft and a success.